Performing Arts (from ArchRecord)

February 2009

	Broad Stage Santa Monica, California Renzo Zecchetto Architects		Crystal Room Waidhofen, Austria Hans Hollein, HFAIA
	Curve Leicester, United Kingdom Rafael Viñoly Architects		MacPhail Center for Music Minneapolis, Minnesota James Dayton Design, Ltd.
	Royal Playhouse Copenhagen, Denmark Lundgaard & Tranberg Architects		Soundhouse Sheffield, United Kingdom careyjones architects
	Swope Music School and Performing Arts Center West Chester, Pennsylvania MGA Partners		Arts Building and Commons, Thacher School Ojai, California Harley Ellis Devereaux with Barton Phelps & Associates
	Westminster Rose Center Westminster, California CO Architects

January 2008

	Atlas Performing Arts Center Washington, DC CORE architecture + design		Irvine Valley College Performing Arts Center Irvine, California Arquitectonica
	Jackson Hole Center for the Arts Performing Arts Pavilion Jackson, Wyoming Stephen Dynia Architects PC and Carney Architects		Peoria Center for the Performing Arts Peoria, Arizona Westlake Reed Leskosky
	The Manon Caine Russell and Kathryn Caine Wanlass Performance Hall Logan, Utah Sasaki Associates		Renée and Henry Segerstrom Concert Hall and Samueli Theater Costa Mesa, California Pelli Clarke Pelli Architects
	Sidney Harman Hall - Harman Center for the Arts Washington, DC Diamond and Schmitt Architects Incorporated		Studzinski Recital Hall and Kanbar Auditorium Brunswick, Maine William Rawn Associates, Architects, Inc.
	Young Centre for the Performing Arts Toronto, Ontario, Canada Kuwabara Payne McKenna Blumberg Architects		Concert Hall in Limoges City of Limoges, France Bernard Tschumi Architects
	Tempe Center for the Arts Tempe, Arizona Barton Myers Associates with Architekton		'62 Center for Theatre and Dance Williamstown, Massachusetts William Rawn Associates, Architects, Inc.,

August 2006

	'62 Center for Theater and Dance Williamstown, Mass. William Rawn Associates, Architects		Bethel Woods Center for the Arts Bethel, N.Y. Westlake Reed Leskosky
	The Esplanade, Medicine Hat Performing Arts and Heritage Center Medicine Hat, Alberta, Canada Diamond and Schmitt Architects		Ferguson Center for the Arts Newport News, Va. Hanbury Evans Wright Vlattas + Company / Pei Cobb Freed & Partners
	Globe-News Center for the Performing Arts Amarillo, Tex. Holzman Moss Architecture		Grand Jéte Stage I Toronto Kuwabara Payne McKenna Blumberg Architects / Goldsmith Borgal & Company Ltd. Architects
	Guthrie Theater Minneapolis Ateliers Jean Nouvel		Holland Performing Arts Omaha HDR / Polshek Partnership
	Luxenbourg Philharmonic Luxembourg City, Luxembourg Atelier Christian De Portzamparc		Mesa Arts Center Mesa, Ariz. DWL Architects + Planners / BOORA Architects
	Performance Hall at Utah State University Logan, Utah Sasaki Associates		Two River Theater Red Bank, N.J. H3 Hardy Collaboration Architecture

January 2005

	59E59 Theaters New York City uRED Architecture		Currier Center Putney, Vt. Charles Rose Architects
	Hollywood Bowl Hollywood Hodgetts + Fung		Jay Pritzker Center Chicago Gehry Partners
	Jazz at Lincoln Center New York City Rafael Viñoly Architects		New Theater Ashland, Ore. Thomas Hacker Architects
	Overture Center Madison, Wis. Cesar Pelli & Associates		SMCC Performing Arts Center Phoenix Jones Studio, Inc.
	Steinberg Center New York City Karlsberger Architecture		Williams Performing Arts Center Abilene, Tex. Keating/Khang & The Tittle Luther Partnership
	Zankel Hall New York City Polshek Partnership Architects

October 2003

	Berkeley Repertory Theatre Berkeley, Calif. ELS Architecture and Urban Design		The Brooklyn Tabernacle Brooklyn, N.Y. Kostow Greenwood Architects
	Eisemann PAC Richardson, Tex. RTKL Associates		Hampstead Theatre Swiss Cottage, London Bennetts Associates Architects
	Leon Auditorium Leon, Spain Mansilla + Tuñon Arquitectos		Mondavi PAC Davis, Calif. BOORA Architects
	Roschel PAC Lancaster, Penn. R.M.Kliment & Frances Halsband Architects		Roy Thomson Hall Toronto Kuwabara Payne McKenna Blumberg Architects
	Schuster PAC Dayton Cesar Pelli & Associates, Inc.		Schwartz PAC Atlanta Michael Dennis & Associates / Howard-Montgomery-Steger / Smallwood, Reynolds, Stewart, Stewart
	The Space Dundee, Scotland Nicoll Russell Studios		Starlight Theatre Rockford, Ill. Studio/Gang Architects
	Stevie Eller Dance Theatre Tucson Gould Evans		Tempodrom Berlin, Germany Von Gerkan, Marg und Partne

July 2001

	Bard College Performing Arts Center Annandale-on-Hudson, N.Y. Gehry Partners, LLP		Benedict Music Tent Aspen, Colo. Harry Teague Architects
	College-Conservatory of Music Cincinnati Pei Cobb Freed & Partners		Kenneth King Performing Arts Center Denver AR7 HooverDesmondArchitects
	LG Arts Center Seoul, Korea Skidmore, Owings & Merrill LLP		The Market Place Armagh, Northern Ireland Glenn Howells Architects
	Marion Oliver McCaw Hall Seattle LMN Architects		Mugar Center for the Performing Arts Weston, Mass. Leers Weinzapfel Associates Architects
	Severance Hall Cleveland David M. Schwarz		Sibelius Hall Lahti, Finland Artto Palo Rossi Tikka Architects
	Teatro Cervantes Arnedo, La Rioja, Spain Frechilla & López-Peláez, Architects		Théâtre L'Eclat Pont-Audemer, France Jakob+MacFarlane
	Theater and Congress Hall, Weimar Weimar, Germany GMP Architekten		Whitaker Center for Science and the Arts Harrisburg, Penn. Hardy Holzman Pfeiffer Assos.

November 2000

	Autostadt Wolfsburg, Germany Alfredo Arribas Arq. Ass.		Cinémathèque Québécoise Montreal, Quebec Saucier + Perrotte Architects
	Desert Passage Las Vegas RTKL Associates		Point Edward Charity Casino Point Edward, Ontario Dunlop Farrow Architects Inc.

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Archmodels vol.21

Archmodels vol.21
This collection comes with 100 models of modern furniture.

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Archmodels vol.20

Archmodels vol. 20
This collection comes with 100 models of office gadgets.
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WinDjView 1.0.3

phần mềm xem file Djvu

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Darco 04 - 09.10/2008

Darco Magazine 04 - September/October 2008

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Interiores - N118 - 12/2009

Interiores - #118 (December 2009)
PDF | Spanish

Interiors magazine you discover new solutions to make your home a unique and comfortable space. A high-end publication, designed especially for urban and cosmopolitan women looking at the latest trends, elegance and value to your home.

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Darco 03 - 07.08/2008

Darco Magazine 03 - July/August 2008

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Darco 02 - 05.06/2008

Darco Magazine 02 - May/June 2008

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Darco 01 - 03.04/2008

Darco Magazine 01 - March/April 2008

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Architecture in Europe Since 1968: Memory and Invention

Architecture in Europe Since 1968: Memory and Invention
Thames & Hudson | ISBN: 0500279489 | 312 pages | September 1997 |

Winner of an American Institute of Architects Award, this book surveys twenty years of a period characterized by conflict between tradition and invention, modern and anti-modern, and by an abundance of disparate design solutions. The epoch begins with the completion in 1972 of the first commissions embodying the ideas that sprang out of the events of 1968--a year when student unrest and political upheaval crystallized new intellectual and cultural attitudes. It ends in the early 1990s, a time when both Modernism and earlier traditions began to be reappraised. Over seventy-five projects are presented, with critical essays, photographs, drawings, site diagrams, and construction details. Extensive documentation includes background data on each project, bibliographies, and biographies, with contributions from Jean-Louis Cohen, Lucius Burckhardt, Fritz Neumeyer, and Peter Rice.

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ARCHITECTURE IN JAPAN

ARCHITECTURE IN JAPAN

Product Description:
TASCHEN’s new architecture series brings a unique perspective to world architecture, highlighting architectural trends by country. Each book features 15 to 20 architects—from the firmly established to the up-and-coming—with the focus on how they have contributed to very recent architecture in the chosen nation. Entries include contact information and short biographies in addition to copiously illustrated descriptions of the architects’ or firms’ most significant recent projects. Crossing the globe from country to country, this new series celebrates the richly hued architectural personality of each nation featured.

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Green Building Through Intergrated Design

Green Building Through Intergrated Design

CONTENTS
Foreword xi
Preface xv
Acknowledgments xvii
Chapter 1 The Recipe for Success
in High-Performance Projects 1
Chapter 2 Green Buildings Today 15
High-Performance Building Characteristics 19
The LEED Rating Systems 24
Other Green Building Rating Systems 31
Looking to the Future 40
The Larger Picture 43
Barriers to Green Building Growth 44
Chapter 3 The Practice of Integrated Design 45
Elements of the Integrated Design Process 45
An Architect’s Perspective 46
What Integrated Design Is Not 48
The Role of BHAGs 50
The Integrated Design Team 53
Integrated Design from the Engineer’s Perspective 54
Integrated Design in Practice—An Architect’s Experience 56
International Integrated Design: The New York Times Building 58
The Contractor’s Role in Integrated Design 63
A New Trend—The Integrated Office? 66
Chapter 4 The Eco-Charrette 67
The Charrette Process 69
SWOT Analysis 69
The University of Pennsylvania Morris Arboretum Project 71
Adopt “Right Mind” 78
Chapter 5 Barriers to High-Performance Buildings:
Why Some Projects Succeed and Others Fail 81
Fewer Higher-Level Certifications 85
What Needs to Happen 89
Getting Consistent Results 91
Chapter 6 The Business Case for Green Buildings 95
Incentives and Barriers to Green Buildings 97
Benefits That Build a Business Case 102
Economic Benefits 104
Risk Management 107
Health Improvements 109
Public Relations and Marketing 109
Recruitment and Retention 112
Financing Green Projects 114
Political 117
Who Benefits? 117
Chapter 7 Costs of Green Buildings 121
Cost Drivers for Green Buildings 123
Additional Cost Considerations 127
Controlling Costs in LEED Projects 130
High Performance on a Budget 131
Summary of Cost Influences 133
Green Building Cost Studies 134
Integrated Design Can Reduce Costs 139
Gross Costs and Net Costs 142
Chapter 8 Integrated Project Management—Cost/Benefit
Analysis of Green Buildings 145
Introduction to the Environmental Value-Added Method 146
LEED Rating System and EVA 148
Getting Started with Environmental Value-Added Analysis 162
Integrated Value Assessment 163
Chapter 9 Getting Started—Predesign Considerations 167
Higher-Level Considerations: The Triple Bottom Line 168
General Considerations: Sustainable Design 173
Site Selection and Site Evaluation 175
Programming 180
Predesign Work 185
Chapter 10 Conceptual and Schematic Design 187
Conceptual and Process Questions 188
Site Questions 189
Water-Related Questions 192
Energy-Related Questions 193
Materials and Resource Questions 199
Indoor Environmental Quality Questions 199
Chapter 11 Design Development 203
General Sustainable Design Questions 203
Site Design Questions 204
Water Efficiency Questions 205
Energy Design Questions 206
Materials and Resources Questions 213
Indoor Environmental Quality Questions 215
Chapter 12 Construction Documents Phase 219
Energy-Using Systems 219
A High-Performance Laboratory Project 221
Bidding and Negotiation 231
Chapter 13 Construction and Operations 233
Construction 233
Occupancy and Operations 239
Chapter 14 Looking Ahead—Designing Living Buildings 243
Hard Bargain Farm,
Accokeek, Maryland 245
Appendix A Integrated Design Resources 251
Index

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Recording Studio Design

Philip Newell “Recording Studio Design"
Focal Press | 2003-03-18 | ISBN: 0240519175 | 613 pages | PDF | 12,9 MB

Philip Newell's comprehensive reference work contains pearls of wisdom which anyone involved in sound recording will want to apply to their own studio design. He discusses the fundamentals of good studio acoustics and monitoring in an exhaustive yet accessible manner.
Recording Studio Design covers the basic principles, their application in practical circumstances, and the reasons for their importance to the daily success of recording studios. All issues are approached from the premise that most readers will be more interested in how these things affect their daily lives rather than wishing to make an in-depth study of pure acoustics. Therefore frequent reference is made to examples of actual studios, their various design problems and solutions.
Because of the importance of good acoustics to the success of most studios, and because of the financial burden which failure may impose, getting things right first time is essential. The advice contained in Recording Studio Design offers workable ways to improve the success rate of any studio, large or small.
*A comprehensive overview of the principles of recording studio design and their practical application
*Improve the potential of your studio with expert advice on design and monitoring
*Complex issues are explained in accessible language and illustrated with examples from actual studios

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Recording Spaces

Recording Spaces
Publisher: Focal Press | ISBN: 0240515072 | edition 1998 |
Discusses the acoustics of rooms intended for musical performance of many styles, in terms of isolation, internal acoustics, possible techniques of use, and the way that these spaces will interact with the musicians, their instruments, and the microphones. Also included are the concepts of sound isolation, the principal processes at work, and descriptions of actual rooms and techniques.
The book describes how the isolation requirements have their effect on the internal acoustics of the rooms, and how the room treatments must be conceived with such interactions taken into consideration.
Starting from the initial concepts, to the measurements of the finished items, Recording Spaces discusses many different types of room, from vocal `booths' to orchestral rooms. There are many stories of how actual `classical' musical performances, from rock to orchestral, have been inspired, or strongly influenced, by the acoustics of their recording spaces.
The book completes a trilogy of titles, with Studio Monitoring Design and Project Studios complementing each other and covering the subjects of acoustics, monitoring and equipment interfacing which will have relevance from the most meagre studio to the world's finest.

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